The 36-year-old “Black Widow” star accepted the Generation Award with a pre-taped segment that aired during the awards ceremony on Sunday. She began her acceptance speech by thanking her co-workers from throughout her career, in addition to expressing appreciation for her fans.
“I never would have been able to continue to evolve as an actor for the last 30 years without the support and dedication of so many cast and crew members that make up the nomadic traveling-circus family that are movie sets, and the dedication and hard work of so many people that goes into making any movie continues to inspire me as a performer,” Johansson said.
“Thank you so much to my fans for riding the wave with me and for supporting my career so I can continue to have the good fortune to pursue the job that is my passion,” she continued. “I realize what an absolute gift it is to be able to have the opportunity to do what I love, and I couldn’t do it without your continued support.”
Things got wild as Johansson was in the process of introducing a previously unseen clip from “Black Widow” when Jost walked over to her in their home and poured a bowl of green slime over her head.
“What the f—?” Johansson said.
“MTV! You got slimed,” Jost responded.
After the “Rough Night” actress explained that the 38-year-old “Saturday Night Live” star was thinking of Nickelodeon, he replied, “I’m very, very sorry.”
She fired back, “Just get a towel,” and then wouldn’t let him attempt to dab her face with it.
In introducing the star prior to the segment, Billy Porter quipped, “She’s the only Oscar nominee I know who can bench press more than Chris Hemsworth and look hotter doing it.”
Earlier this month, a press release announced Johansson would receive the award.
“The highly coveted ‘Generation Award’ celebrates beloved actors whose diverse contributions to both film and television have turned them into household names,” the statement said in part.
Prior to the Generation Award, Johansson had been nominated for six MTV Movie & TV Awards prizes over the years. She nabbed the golden popcorn in 2013 for “Best Fight” for “The Avengers.”
NowThis Editor Versha Sharma to Take Over at Teen Vogue After Controversy Over Previous Pick – NBC4 Washington
Teen Vogue has chosen Versha Sharma, a top editor at NowThis, to replace Alexi McCammond as editor-in-chief after a swirl of controversy over McCammond’s past anti-Asian tweets.
Sharma takes over May 24 at the digital-only publication after McCammond and the Condé Nast title parted ways before her appointment took effect.
“I am incredibly excited and grateful for this awesome opportunity,” Sharma tweeted of Monday’s announcement.
Anna Wintour, the global editorial director of Vogue and chief content officer for Condé Nast, said in a statement that Sharma is a “natural leader” with a “global perspective and deep understanding of local trends and issues — from politics and activism to culture and fashion.”
Sharma was named managing editor of NowThis, a digital news site, in 2015. In 2012, she covered the U.S. presidential election for MSNBC.com. She is the recipient of an Edward R. Murrow award with the NowThis Reports team for a short documentary about the aftermath of Hurricane Maria in Puerto Rico, and she’s on the board of directors of the Online News Association.
The daughter of Indian immigrants, Sharma grew up in Louisiana and lives in New York.
McCammond, who is Black, was tapped in March at age 27 as the incoming editor in chief to replace Lindsay Peoples Wagner, but derogatory tweets from when she was a teenager and college student in 2011 caused a backlash after the appointment was announced.
Sharma said in the statement issued by Teen Vogue that she has long admired the magazine for “building and fostering a community of young people who want to change the world.”
John Mulaney and Wife Anna Marie Tendler Break Up After 6 Years of Marriage – NBC4 Washington
After more than six years of marriage, comedian John Mulaney and wife Anna Marie Tendler are splitting up.
Individual reps for each party confirmed the news in a statement to Page Six on Monday. E! News has reached out to reps for comment.
“I am heartbroken that John has decided to end our marriage,” Tendler expressed through her spokesperson. “I wish him support and success as he continues his recovery.”
A spokesperson for Mulaney also confirmed the news of the divorce to the outlet and added, “John will not have any further comment as he continues to focus on his recovery and getting back to work.”
The “Big Mouth” actor and accomplished artist tied the knot in July 2014 in Boiceville, New York. Friend and “Schitt’s Creek” actor Dan Levy served as the couple’s officiant at their wedding.
The 38-year-old comedian completed a stint in rehab in December 2020, where he stayed for 60 days to treat issues relating to cocaine and alcohol addiction. He moved to outpatient care in February 2021.
Mulaney has been open when it comes to discussing his struggles with addiction, most notably in a 2019 interview with Esquire.
“I drank for attention,” he shared with the magazine. “I was really outgoing, and then at twelve, I wasn’t. I didn’t know how to act. And then I was drinking, and I was hilarious again.”
The “Saturday Night Live” alum is set to officially return to work on the comedy circuit after completing outpatient care — booking four mid-May shows at the New York City venue City Winery. Tickets for those shows are sold out.
Tendler, for her part, is pursuing a Master of Arts degree from NYU Steinhardt in fashion and textile studies.
Los Angeles Lakers Nine-Part Docuseries Coming to Hulu in 2022 – NBC4 Washington
Los Angeles Lakers Nine-Part Docuseries Coming to Hulu in 2022 originally appeared on NBC Sports Washington
The Los Angeles Lakers are getting their own version of “The Last Dance.”
A nine-part docuseries on the Lakers will be coming to Hulu in 2022, the team announced on Monday. Unlike ESPN’s highly popular “The Last Dance” — which centered around Michael Jordan’s final season with the Chicago Bulls — this series will detail the last four decades of the Lakers. That includes everything from Jerry Buss purchasing the organization, to Magic Johnson and the “Showtime” Lakers, to the Shaq-and-Kobe dynasty, to LeBron James and Anthony Davis leading the team to its latest championship last season.
Those are some rather compelling Hollywood storylines.
The series will include new interviews with more than 35 members of the Lakers organization, including Pat Riley, Phil Jackson, Magic Johnson, Kareem Abdul-Jabbar and Shaquille O’Neal, as well as never-before-seen interviews with the late Jerry Buss. It will be directed by Antoine Fuqua, whose Muhammad Ali documentary “What’s My Name?” won a Sports Emmy for outstanding long documentary.
“When Dr. Buss bought the Lakers in 1979, he sat alone at center court of the Forum and thought of all the possibilities,” Lakers CEO Jeanie Buss said in a statement. “But even in his wildest dreams, my father could not have imagined what the next decades would bring for our organization, our league and our city of Los Angeles. I am thrilled that the true story of the Lakers will finally be shared with the world — and that we are in such capable hands with Hulu and Antoine, a director whose storytelling I’ve admired for years.”
The 1980s Lakers will also be the subject of a drama series on HBO, with a cast that includes John C. Reilly as Jerry Buss, Adrien Brody as Pat Riley, Quincy Isaiah as Magic Johnson and Sally Field as Jessie Buss.
Mike Gavin contributed to this story
Miss Mexico Andrea Meza Crowned Miss Universe 2021 – NBC4 Washington
And we have a new Miss Universe.
After more than a year delay due to the coronavirus pandemic, the Miss Universe competition was finally held Sunday at the Seminole Hard Rock Hotel & Casino in Hollywood, Florida. Mario Lopez and former Miss Universe Olivia Culpo, who won the crown in 2012, co-hosted the show, which featured a special performance by Luis Fonsi.
Taking home the ultimate crown this year was Miss Mexico Andrea Meza, who wowed the selection community with her beauty and brains.
During the final statement round, Miss Mexico was asked to address the topic of changing beauty standards.
“We live in a society that more and more is more advanced and as we have advanced as a society, we have advanced with stereotypes,” she shared via translator. “Nowadays, beauty is not only the way we look. For me, beauty radiates not only in our spirits, but in our hearts and the way we conduct ourselves. Never permit someone to tell you that you are not valuable.”
And just minutes before, Miss Mexico also faced the final question round where she was asked to share how she would have handled the COVID-19 pandemic.
“I believe there is not a perfect way to handle this hard situation such as COVID-19,” she said. “However, I believe that what I would have done, was create the lockdown even before everything was that big because we lost so many lives and we cannot afford that. We have to take care of our people. That’s why I would have taken care of them since the beginning.”
Before the show, Paula M. Shugart, who serves as the president of the Miss Universe Organization, addressed the pandemic and how the pageant was staying safe.
“We have spent months planning and preparing safety precautions to develop this edition of Miss Universe – one that will be memorable, special and totally innovative,” she said in a statement.
Beauty queens from 74 countries and territories competed in the pageant, however just 21 contestants advanced to the final round. After first competing in the swimsuit contest, which you can see photos from here, 10 moved on to the evening gown competition. Five contestants were selected to participate in the question and answer round.
The last time the Miss Universe pageant was held was in 2019, when Miss South Africa, aka Zozibini Tunzi, took home the ultimate prize. Miss Puerto Rico Madison Anderson was the first runner-up and Miss Mexico Sofa Aragn was the second runner-up.
At the time, Tunzi really impressed the judges with her answer to the question, “What is the most important thing we should be teaching girls today?”
She replied, “I think the most important thing we should be teaching young girls today is leadership. It’s something that has been lacking in young girls and women for a very long time. Not because we don’t want to, but because what society has labelled women to be. I think we are the most powerful beings in the world.”
Of passing the torch to her successor, Tunzi said in a statement, “I always knew that my reign as Miss Universe would be unlike any other. While it was nothing like what I had imagined my year to be, this year has opened doors for me I could never have imagined.I am so grateful for the opportunity to connect virtually with people all over the world and elevate the causes I care most about.”
Musical ‘Godspell’ Celebrates 50th Anniversary – NBC4 Washington
It will come as little surprise to its legion of fans that the first professional musical to be mounted in the U.S. during the pandemic was “Godspell.”
The Berkshire Theater Group in western Massachusetts put on a production in August with plexiglass partitions between the actors and temperature checks for the audience. Why “Godspell”? Its message of hope and love.
″’Godspell’ just felt like the one,” says the Berkshire Theater Group’s Artistic Director and CEO Kate Maguire. “All of a sudden the story of ‘Godspell’ and what it’s about became more important.”
The John-Michael Tebelak and Stephen Schwartz musical is celebrating its 50th anniversary this month, a golden milestone for a show with roots in the hippie era but which can still speak to those on TikTok.
Some who traveled to western Massachusetts to see the pandemic “Godspell” were veterans from the show, like Peggy Gordon, who was in the original cast. “It was unbelievably emotionally powerful for us,” she says. Maguire told her she hoped the production would make Gordon proud. “I said, ‘You already have.’”
“Godspell” was an off-Broadway hit in 1971. It was made into a 1973 movie and jumped to Broadway in 1976, nominated for best score at the Tony Awards and a Grammy winner. One of the songs, “Day by Day,” reached No. 13 on the Billboard pop singles chart. It has been a springboard for everyone from Aaron Tveit, whose first real acting gig was on a “Godspell” tour, to Uzo Aduba, who was in a Broadway revival in 2011.
The musical is a retelling of Jesus’ ministry structured around a series of parables, mostly from the Bible’s Gospel of St. Matthew, with songs interspersed. Tebelak created it as a college project in 1970 while at Carnegie Mellon University and the student-led original cast helped fill it out.
“Although I’m not a very religious person, it was in many ways an act of love,” says Robin Lamont, who took the original show to Broadway and then to film. “I think many actors feel that way when they help create a show. But this was a particular love.”
The musical has fueled countless school, regional and community theater productions, a natural choice because of it’s uplifting message and also because it calls for 10 actors in the ensemble and few props. It’s nimble and athletic.
The original concept was a collection of clowns gathered at a playground — and Jesus clad in a Superman T-shirt with suspenders — but it can adapt. Lamont saw a production where the cast was doubled and another set in an abandoned church. Tebelak directed a production in the ’70s in South Africa that challenged South African race laws by insisting that the cast be multiracial.
Most of the initial score’s lyrics were from the Episcopal hymnal and the songs were atonal. When it moved on to a bigger stage, Schwartz was brought in by producer Edgar Lansbury to write a new score, incorporating a variety of musical styles, from pop to folk rock to gospel and vaudeville.
Schwartz had just four weeks between the transfer from La MaMa Experimental Theatre Club to the Cherry Lane Theatre to write new music to eight existing songs, write five additional songs and musicalize the prologue.
When Schwartz returned, he had gems like “Day by Day,” ″All for the Best” and “All Good Gifts.” He charmed Gordon when he admitted that he couldn’t improve her contribution, “By My Side.”
While it’s easy for “Godspell” to appear formless and allows for pockets of improv, Gordon knows better. “The show was meticulously constructed but constructed in a way to appear spontaneous,” she says.
Gordon recalls the invite-only dress rehearsal at the Cherry Lane — the first time they’d performed the new version in front of an audience. The cast came out, held hands and bowed at the curtain call.
“As we were bowing, I heard thunderous applause,” she says. “They were standing on their feet and they were applauding and they were crying. I thought to myself, ‘Oh, my God, I guess it’s good!’”
Many critics also were charmed. New York magazine called it “a frisky, exhilarating little show” and the Daily News said it was “cheerfully irreverent and spirited.” The Boston Globe called it “’Hair’ with a halo.’” As a sign that the show had entered the fabric of the nation, it was lampooned on “The Simpsons,” with Homer singing “Day by day/I’ve got three kids/ And two are OK.”
Both Gordon and Lamont are proudly part of a network of the 10 original ”Godspell” companies. They have a private Facebook group and plan reunions every decade, with a big one this year. They reflect the spirit of “Godspell”: “We are a loud, noisy, incredibly active group of friends who adore each other,” says Gordon.