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Inside ‘The World’s Most Beautiful Bookstore’ In Argentina : NPR

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When the Gran Splendid Theater in Buenos Aires was converted into a branch of the Ateneo bookstore, the stage became a cafe. It was just named “the world’s most beautiful bookstore” by National Geographic.

Ronaldo Schemidt/AFP/Getty Images


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When the Gran Splendid Theater in Buenos Aires was converted into a branch of the Ateneo bookstore, the stage became a cafe. It was just named “the world’s most beautiful bookstore” by National Geographic.

Ronaldo Schemidt/AFP/Getty Images

In its first issue of 2019, National Geographic named a shop in Buenos Aires, Argentina “the world’s most beautiful bookstore.” NPR was ahead of the curve. Bob Mondello filed this report 18 years ago, shortly after the Teatro Gran Splendid was converted into El Ateneo Grand Splendid.

Impresario Max Glücksmann wanted his new theater, the Teatro Gran Splendid, to remind people of the Paris Opera. He had it built in 1919 with three ornately decorated balconies hugging the back wall of a 1,050-seat auditorium. It’s decked out with gilded statues, marble columns and a ceiling mural celebrating the end of World War I. In the days before air conditioning, the domed roof opened in good weather to give theater audiences a glimpse of the stars.

It is a spectacular space. After a $3 million renovation, it’s no less grand than at any time in the decades since it was built.

There is one difference today. Where once the vast auditorium was filled with rows of theater seats, it now has rows of bookshelves. The Gran Splendid has been converted into what is quite possibly the most spectacular bookstore on earth.

The transformation is the brainchild of Adolfo de Vincenzi, who has loved this theater since his student days and still recalls films he saw here (one of them being “a movie of Liv Ullmann and Ingrid Bergman, Sonata Otoñal [Autumn Sonata]”) whenever he could take a break from his accounting classes three blocks away.

“Every time I finished with my exams, I said, ‘That’s my vacation,'” de Vincenzi said. “I came here.”

The theater that now houses El Ateneo Grand Splendid bookstore had a domed roof that opened.

Ronaldo Schemidt/AFP/Getty Images


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The theater that now houses El Ateneo Grand Splendid bookstore had a domed roof that opened.

Ronaldo Schemidt/AFP/Getty Images

The Gran Splendid was seriously run-down when it was acquired by de Vincenzi’s company El Ateneo, a bookstore chain that is akin to Barnes & Noble in Argentina. The theater had succumbed to the same trend toward suburban multiplexes that has made downtown movie palaces obsolete in the U.S. So when de Vincenzi heard the lease was available and looked around at what was happening to other theaters that once lined the nearby avenues, he says he didn’t have any second thoughts.

“We didn’t decided to stop with this building being a theater,” de Vincenzi said. “Business made that it was not profitable … so what we did is put a bookstore instead.” He noted that two other cinemas once located a block away have now become parking lots.

Because this particular theater was an architectural treasure, the Ateneo chain had some trouble at first with City Hall. But opposition melted away when the public got a look at the refurbished Ateneo Grand Splendid — brighter, cleaner and with plenty of activities to guarantee that it would still attract crowds.

New uses were found for almost every inch of the building. The broad stage that was always there behind the screen is now a bustling cafe. The orchestra section and first balcony are packed with bookshelves. And the box seats, once the most expensive in the house, have been outfitted as private reading rooms with cushy armchairs and a great view.

The top two balconies, which look down on all this, have been turned into a branch of an art gallery [note: closed in the years since this report], filled with colorful paintings and sculptures. And past the art, way up near the ceiling dome behind a locked door, there’s something the public doesn’t see: the room where tango singer Carlos Gardel made some of his first recordings.

De Vincenzi leads the way up winding stairs to a broad, high-ceilinged, acoustically boomy, wood-floored room. It’s located above the stage. He explains that this is where Gardel recorded.

“It was really the only use this floor had,” de Vincenzi said. “It’s a kind of magic, this place.”

Gardel is only the most famous of the artists associated with the Gran Splendid. During the theater’s early years, Glücksmann started his own radio station that broadcast from the building. International ballet companies and theater troupes played here, and for decades it was one of the city’s premier movie houses. So it’s not surprising that in its new incarnation, it’s the in-spot for visiting authors, who flock to the stage cafe for book signings and discussions.

That’s not to suggest that the dramatic arts are no longer represented at the building. In fact, for many years there was one actor who was present here every day, though not on stage. Natalio Povarché, whose art gallery commands a terrific view from the top two balconies, appeared in more than a dozen Argentine films, so he feels right at home in this theater.

It’s especially true, says his daughter Mariana, because it was here that his very pregnant wife dragged him to see Cat on a Hot Tin Roof one fateful day some 42 years ago. Midway through the screening, her mother went into labor. But she refused to go to the hospital immediately.

“And she said, ‘No, I’m not going to leave the cinema until I see the very end of the film,'” Mariana Povarché said. “When the very end came, she was feeling really very, very bad. And his neighbors [told] her not to wait [for] a taxi. He was going to take both of them to the hospital. Because if not, I was going to get born here.”

She now feels she’s been reborn here, in an artistic sense, working in her father’s gallery even as she advances her own acting career. Because her mother is an astrologist, she laughs that the stars must have had a hand in bringing her back here — the stars that audiences could once see through that open dome (and that can also be found on the astronomy shelves on the right side of the first balcony or the astrology section on the main floor).

Does Mariana miss what once was here? Of course, but she notes that the old mix of performing arts has been replaced by a new mix that also has value.

“You can have your coffee right on the stage — on the real stage — and while you’re reading or having your coffee, you can see the paintings from downstairs,” she said. “I think that it’s very magic. And it’s a privilege to be in a place like this — a very, very special place. I don’t know if there’s another one like this one in the rest of the world.”

Patrick Jarenwattananon adapted this archival story for Web in 2019.

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Riot police squads intervene as pro-Israel and pro-Palestinian protesters clash in Montreal

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People wave flags atop cars in traffic during a demonstration to voice support for the people of Palestine, at Toronto City Hall in Toronto, Ontario, Canada, on 15 May 2021.


People wave flags atop cars in traffic during a demonstration to voice support for the people of Palestine, at Toronto City Hall in Toronto, Ontario, Canada, on 15 May 2021.

  • Violence
    between pro-Israel and pro-Palestine protesters in Montreal was condemned by
    Canadian Prime Minister Justin Trudeau.
  • Montreal’s
    city police force intervened and declared the protests illegal after tensions
    heightened and clashes broke out.
  • Israeli
    strikes killed 42 Palestinians in the Gaza Strip on Sunday, the worst daily
    toll in almost a week of clashes.

Montreal
– Canadian Prime Minister Justin Trudeau on Sunday condemned the violence and
“despicable rhetoric” that marked several weekend protests throughout
the country, after clashes between pro-Israel and pro-Palestinian protesters in
Montreal.

The
worst violence in years, sparked by unrest in Jerusalem, is raging between the
Jewish state and Islamist militants.

Israeli
strikes killed 42 Palestinians in the Gaza Strip on Sunday, the worst daily
toll in almost a week of deadly clashes.

Speaking
after protests in Montreal, Trudeau condemned what he said was “despicable
rhetoric and violence we saw on display in some protests this weekend”.

While
insisting on the “right to assemble peacefully and express themselves
freely in Canada”, Trudeau stressed in a tweet that there was no tolerance
for “antisemitism, Islamophobia, or hate of any kind”.

Earlier
on Sunday, Montreal police used tear gas following clashes between pro-Israel
and pro-Palestinian protesters.

Several
hundred demonstrators, draped in Israeli flags, had gathered in a central
Montreal square to express solidarity with the Jewish state.

‘Protesting is a right’

Although
the protest started peacefully, tensions ratcheted up with the arrival of
pro-Palestinian demonstrators and clashes soon broke out.

The
SPVM, Montreal’s city police force, declared the protests illegal, and squads
of riot police intervened, using tear gas to separate and disperse the two
groups, according to an AFP journalist at the scene.

The
police spent much of the afternoon in pursuit of the pro-Palestinian
protesters, who spread out and regrouped in commercial streets in the city centre.

Following
the clashes, Montreal Mayor Valerie Plante said on Twitter that
“protesting is a right”, but that “intolerance, violence and
anti-Semitism have no place here”.

She said:

Montreal is a city of peace.

Several
thousand pro-Palestinian demonstrators had gathered on Saturday in central
Montreal to denounce what they said were Israeli repression and “war
crimes” in Gaza.

“Terrorist
Israel”, some protesters chanted, while others held up a banner that read,
“Stop the genocide of Palestinian children”.

Pro-Palestinian
protests happened the same day in multiple Canadian cities, including Toronto,
Ottawa and Vancouver.


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Peter Thiel Helps Fund an App That Tells You What to Do

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“How would you feel about being able to pay to control multiple aspects of another person’s life?” asks the BBC.

“A new app is offering you the chance to do just that.”

When writer Brandon Wong recently couldn’t decide what takeaway to order one evening, he asked his followers on social media app NewNew to choose for him. Those that wanted to get involved in the 24-year-old’s dinner dilemma paid $5 (£3.50) to vote in a poll, and the majority verdict was that he should go for Korean food, so that was what he bought…

NewNew is the brainchild of Los Angeles-based entrepreneur Courtne Smith. The app, which is still in its “beta” or pre-full release stage, describes itself as “a human stock market where you buy shares in the lives of real people, in order to control their decisions and watch the outcome”. For many of us that sounds a bit ominous, but the reality is actually far less alarming. It is aimed at what it calls “creators” — writers, painters, musicians, fashion designers, bloggers etc. It is designed as a way for them to connect far more closely with their fans or followers than on other social media services and, importantly, monetise that connection…

Whenever a vote is cast the creator gets the money minus NewNew’s undisclosed commission… In addition to voting, followers can also pay extra — from $20 — to ask a NewNew creator to do something of their choosing, such as naming a character in a book after them. But the creator can reject all of these “bids”, and if they do so then the follower doesn’t have to part with the money…

Co-founder and chief executive Ms Smith, a 33-year-old Canadian, has big plans for NewNew, and has some heavyweight backers. Investors include Peter Thiel, the billionaire co-founder of PayPal, and the first outside person to put money into Facebook. Others with a stake in the business include leading US tech investment fund Andreessen Horowitz, and Hollywood actor Will Smith (no relation to Courtne). Snapchat has also given technical support.

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Sandpapergate will haunt Australia cricket forever: ex-bowling coach

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Cameron Bancroft. (Photo by Brenton Geach - Gallo Images/Getty Images)


Cameron Bancroft. (Photo by Brenton Geach – Gallo Images/Getty Images)

The 2018 ball-tampering scandal will haunt Australian cricket forever, much like the infamous underarm delivery of 40 years ago, the team’s former bowling coach David Saker said on Monday.

Saker was responding to opening batsman Cameron Bancroft suggesting that Australia’s bowlers knew about the plan in Cape Town to alter the ball which earned him a nine-month ban and rocked the game.

Saker was Australia’s bowling coach when Bancroft was caught trying to rough up the ball with sandpaper during the third Test against South Africa.

While refusing to be drawn on who knew what, Saker said “the finger-pointing is going to go on and on and on”.

“It’s like the underarm, it’s never going to go away,” he told Fairfax Media, referring to a 1981 incident when Trevor Chappell bowled underarm to ensure New Zealand lost a one-day match at the Melbourne Cricket Ground.

The notorious delivery is still cited in New Zealand and in cricketing circles as a prime example of unsporting conduct.

However, the ball-tampering scandal – dubbed “sandpapergate” – had a greater impact on Australian cricket, with the then-captain Steve Smith and his deputy David Warner suspended for a year from all cricket and stripped of their leadership roles.

Darren Lehmann also quit as coach and all the top brass from Cricket Australia left after a scathing review blasted their “arrogant and controlling” win-at-all-costs culture.

No one else among the team or coaching staff was held to account but Bancroft’s remarks in an interview with The Guardian newspaper hinted that the team’s bowlers at least knew about the plan.

“Obviously what I did benefits bowlers and the awareness around that, probably, is self-explanatory,” he said.

Saker added: “There was a lot of people to blame. It could have been me to blame, it could have been someone else. It could have been stopped and it wasn’t, which is unfortunate.

“Cameron’s a very nice guy. He’s just doing it to get something off his chest … He’s not going to be the last.”

In response, Cricket Australia said that if anyone had new information, they would look into it.

Saker said he was not opposed to a fresh investigation but added “I just don’t know what they’re going to find out.”

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Mexico’s Andrea Meza crowned Miss Universe

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Miss Universe Andrea Meza


Miss Universe Andrea Meza

UPDATE:

MISS UNIVERSE 2020/2021 IS ANDREA MEZA FROM MEXICO:


UPDATE:

THE MISS UNIVERSE 2020/2021 TOP 5:

1. Mexico

2. India

3. Brazil

4. Dominican Republic

5. Peru


UPDATE:

HERE ARE THE MISS UNIVERSE 2020/2021 TOP 10 CONTESTANTS:

1. Jamaica 

2. Dominican Republic 

3. India

4. Peru 

5. Australia 

6. Puerto Rico

7. Thailand

8. Costa Rica

9. Mexico

10. Brazil


UPDATE:

MISS UNIVERSE TOP 21 IN SWIMWEAR:


UPDATE:

MISS UNIVERSE TOP 21: 

1. Columbia

2. Peru 

3. Australia 

4. France

5. Myanmar

6. Jamaica 

7. Mexico 

8. Dominican Republic 

9. USA

10. Indonesia 

11. Argentina 

12. India

13. Curaçao

14. Puerto Rico

15. Phillipines 

16. Brazil

17. Great Britain

18. Nicaragua

19. Thailand 

20. Costa Rica

21. Vietnam


 UPDATE:

MISS UNIVERSE SOUTH AFRICA NATASHA JOUBERT WALKS THE STAGE AT MISS UNIVERSE 2020/2021:


74 contestants will compete for the title of Miss Universe on 16 May in Hollywood, Florida. 

The Miss Universe pageant takes place on 16 May in the US (02:00 to 05:00 on 17 May SA time). The show will be broadcast live on 1 Magic (DStv Channel 103) with a repeat at 21:30. 

Reigning Miss Universe Zozibini Tunzi of South Africa will crown her successor at the end of the event.

Representing South Africa is Natasha Joubert, and South Africans are hoping for the “magic double” – back-to-back consecutive wins, which has only happened once before in the pageant’s history.

Natasha wowed crowds at the national costume competition last week and on Friday impressed during the preliminary round

We live in a world where facts and fiction get blurred

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trust. For only R75 per month, you have access to
a world of in-depth analyses, investigative journalism,
top opinions and a range of features. Journalism
strengthens democracy. Invest in the future today.

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Miss Mexico crowned Miss Universe 2021

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By AFP Time of article published 16m ago

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Washington – Miss Mexico was crowned Miss Universe on Sunday in Florida, after fellow contestant Miss Myanmar used her stage time to draw attention to the bloody military coup in her country.

Sunday night marked the Miss Universe competition’s return to television, after the pageant was cancelled in 2020 for the first time due to the coronavirus pandemic.

Andrea Meza, 26, finished first ahead of the Brazilian and Peruvian finalists in a flashy televised event, hosted by American actor Mario Lopez and television personality Olivia Culpo.

Former Miss Universe contestants Cheslie Kryst, Paulina Vega and Demi-Leigh Tebow (who won the title in 2017) served as competition analysts and commentators, and a panel of eight women determined the winner.

Dressed in a sparkling red evening gown, Meza tearfully walked the catwalk as Miss Universe for the first time, before rushing back for a group hug with the other competitors.

Meza beat more than 70 contestants from around the globe in the 69th installment of Miss Universe, which was held at the Hard Rock Hotel & Casino in Hollywood, Florida.

In the days leading up to the final competition, Miss Myanmar Thuzar Wint Lwin, who made the top 21, made waves when she used her time in the spotlight to bring attention to the coup in her country.

“Our people are dying and being shot by the military every day,” she said during her biographical video, which showed photos of her taking part in the anti-coup protests. “Therefore I would like to urge everyone to speak out about Myanmar.”

Natasha Joubert, Miss Universe South Africa 2020 competes on stage in Ema Savahl swimwear during the MISS UNIVERSE® Preliminary Competition.

She also won the award for best national costume: during that competition segment on Thursday, she wore an outfit beaded in traditional Burmese patterns and held up a sign that said, “Pray for Myanmar.”

Myanmar has been in uproar since February 1, when the army ousted civilian leader Aung San Suu Kyi.

At least 796 people have been killed by security forces since then, according to a local monitoring group, while nearly 4 000 people are behind bars.

Miss Singapore Bernadette Belle Ong – who did not make the top 21 – also used the national costume portion to make a political statement.

Dressed in a glittering red bodysuit and matching thigh-high boots, she turned around to reveal her cape – in the colours of the Singaporean flag – was painted with the words “Stop Asian Hate.”

“What is this platform for if I can’t use it to send a strong message of resistance against prejudice and violence?” she wrote on Instagram alongside pictures of her outfit.

The United States in particular has seen a surge in anti-Asian violence in the past year, which activists have blamed on former president Donald Trump’s rhetoric, especially his repeated description of Covid-19 as the “China virus.”

The pageant has also drawn criticism in the past for objectifying the contestants.

In recent years, the competition has shifted image, focusing more on female empowerment and activism.

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